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On
the evening of Wednesday, 30th May, 1984, I can remember what I was
doing. Liverpool were playing Roma in the European Cup Final; and, being a
football nut, I was parked in front of the television. At the same time, at
Hampton Court Palace (12 miles west of London), HRH The Prince of Wales was
giving a speech to commemorate the 150th anniversary of the Royal Institute of
British Architects.
It
is typical of the British Royal Family to steer clear of voicing strident views
on contentious issues, but, that evening, HRH decided to chuck traditions out through
the palace windows. He let rip thus:
‘Instead
of designing an extension to the elegant facade of the National Gallery which
complements it and continues the concept of columns and domes, it looks as if
we may be presented with a kind of municipal fire station, complete with the
sort of tower that contains the siren. I would understand better this type of
high-tech approach if you demolished the whole of Trafalgar Square and started
again with a single architect responsible for the entire layout, but what is
proposed is like a monstrous carbuncle on
the face of a much-loved and elegant friend (my italics).’
The
royal boot had landed – squarely up the rear end of an entire profession.
Controversial was not the word, and much heated debate followed. Perhaps the
most crucial consequence, however, was that HRH had, with just two brilliantly-chosen
words, placed British architecture under the spotlight. Mention the phrase ‘monstrous
carbuncle’ anywhere in the UK, and I think the vast majority of people my own age would be able to recall
that event more than three decades ago.
I, personally, have never doubted that the Prince was wholly in the right. Some
buildings in my native land are ugly beyond description. So much so, that there
exists a ‘Carbuncle Cup’, which is awarded for the ugliest new building of the
year. There is, justifiably, red-hot competition.
A
disproportionate number of champion carbuncles adorn the capital. Many more are
at the planning stages. If you take a trip along the London Underground’s District
Line to West Brompton (Figure 104.1), alight at the station, climb the steps onto
Lillie Road, turn left and walk for about a hundred yards, there is a
grand old pub on the right, named, strangely enough, the Prince of Wales.
Figure
104.1: London SW6
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This pub is on the corner of an elegant Victorian terrace, aptly named Empress Place
(Figure 104.2). These two rows of neat cottages (Figure 104.3), all with
gardens, are highly coveted by London’s house-hunters. I have always believed
that London’s characteristic architecture makes it the world’s most stunning
capital city, and Empress Place makes a small contribution to its uniqueness
and lasting splendour.
Figure
104.2: The Place, viewed from Lillie Road
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Figure
104.3: Empress Place’s stucco and polychromatic brickwork
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© 2016 Po Kadzieli
You
can probably guess where this is leading. Yes, Empress Place has been earmarked
for imminent demolition. Property developers Capco have submitted grandiose plans
to replace these attractive 19th-century cottages with a vast collection of what
I can only term characterless monoliths which could be found anywhere in the
world. There is nothing ‘London’ about what they are proposing.
At
this point, I ought to declare that my objection to the plans is quite
personal. The houses of Empress Place were designed by my
great-great-great-grandfather, the esteemed London architect, John Young
(1797-1877) (Figure 104.4). His influence on London’s architecture was
substantial, having designed the Colosseum in Regent’s Park (1827), The Royal
Marsden Hospital (1851) and numerous residential and commercial buildings.
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He
is especially renowned for his imaginative use of polychromatic brickwork. This
is featured, not only throughout Empress Place, but also in many of his other creations. A striking example can be found at 23, Eastcheap (Figure 104.5), in
the City of London, near to where generations of my ancestors were born and
raised.
Figure
104.5: A London coffee shop. Note the intricate polychromatic brickwork of the
upper floors, designed by John Young.
Copyright © 2011 Stephen Richards
I
am pleased to learn that there is a campaign to save not only Empress Place, but also the rest of (what now remains of) the Earl’s Court area. I support it wholeheartedly and
would be greatly saddened if, in the near future, such an attractive old landmark were replaced by something
that would ultimately subtract from London’s unsurpassed architectural
heritage.
What
else could I do? Perhaps I could write a letter to HRH. The Prince’s views
would not be casually ignored.
PLEASE CLICK LINK (TOP RIGHT) TO SUPPORT THE CAMPAIGN.
PLEASE CLICK LINK (TOP RIGHT) TO SUPPORT THE CAMPAIGN.
Further
information can be found at:
There
is also a long-running campaign to save the home of John Young.
Further
information can be found at:
Copyright
© 2017 Paul Spradbery
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